Browse Items (23 total)

Callot inspires reflection upon the ideas self-perception and external perception of the elderly, as well as socioeconomic status and how class continuation creates varying effects as one ages.

Callot depicts the effects of poverty on the elderly experiencing such conditions.

Pughe offers a political commentary on the treatment of the elderly by the Democratic Party, influenced by the context of early-20th-century American politics.

The elements of home, familiarity, and comfort embodied by women and the way are portrayed as a consistent image that follows a woman throughout her lifetime into old age.

Glackens illustrates the relationship between the elderly and a government whose interests are economically driven.

Glackens makes a commentary on how readily those of old age advocate for or oppose reform policies.

Sweerts qualifies the subject of the image as melancholy in the title in a portrayal of the elderly as dejected, crestfallen, and dispirited.

Redon depicts an elderly man in a state of deep contemplation.

Ehrhart offers insight into the views of gender expectations and the perpetuation thereof in early 20th century America across generations in their understanding of, expression of, and attentiveness to prescribed versus assumed responsibility.

Keppler uses an elderly figure to convey the lack of efficacy of a political agenda and suggests an argument about gender dynamics.